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In 1960, burgeoning actress and defiant dreamer Lena Spencer opened a small, grassroots coffeehouse in the quaint upstate New York town of Saratoga Springs. Within her then-husband’s plan to start the Caffè as a means for the couple to artistically flourish while “making enough money to retire in Europe” lay the seed of a more impactful cultural contribution that would change music history forever. It was a time in America when a coffeehouse could be something more—a focal point for a different sort of people, radical new ideas, and notably, emerging artists. Caffè Lena’s humble stage regularly welcomed musicians such as a young Bob Dylan in 1961, the singer/activist Bernice Johnson Reagon in 1962, and a pre-”American Pie” Don McLean in 1965. Quickly, Caffè Lena took its place among the nation’s foremost incubators of an American folk movement that inspired a generation of musicians, artists, and thinkers and a country in need of a new vision of equality, freedom, and understanding. Fortunately for posterity, camera shutters were often snapping in time to the music, and so an intimate visual record of Caffè Lena’s early years exists. Now, thanks to years of dedicated digging by the Caffè Lena History Project—to unearth Lena’s secret memoirs, collaborating with photographers to identify and rescue mysterious negatives, and collecting stories from the original artists to highlight these materials—the time has come to share this treasure trove of authentic and rare Americana with the world. Caffè Lena: Inside America’s Legendary Folk Music Coffeehouse brings more than 200 never before seen, evocative images and stories to the public. Early 1960s photographs of Bob Dylan and Pete Seeger and modern-day images of Rufus Wainwright and Patty Larkin blend with rare memorabilia and an oral history derived from more than 100 original interviews of artists who have graced Caffè Lena’s stage over the decades, including Ani DiFranco, Utah Phillips, Dave Van Ronk, Spalding Gray, and other luminaries of the folk, blues, jazz, and theater worlds. This exclusive time capsule chronicling the heyday of Caffè Lena—now the country’s oldest continuously operational folk music coffeehouse—provides an insightful look at the many artists whose poetic lyrics cast a mesmerizing spell over a generation, and who remain beloved today. Alongside the release of Caffè Lena: Inside America’s Legendary Folk Music Coffeehouse, San Francisco’s Tompkins Square label will release the 3-CD box set, ‘Live at Caffè Lena: Music From America’s Legendary Coffeehouse, 1967–2013′ on September 24, 2013. “Caffè Lena holds an important place in the folk and traditional music communities. For me it was the gateway to so many things I hold dear about music.” —Scott Goldman, The GRAMMY Foundation “The story of Caffè Lena is the secret history of the folk-music scene. Lena was a pioneering woman in a man's world and her story needs to be told.” —Holly George-Warren, The Road to Woodstock “Lena Spencer was a rare person with a shining spirit who created a small world of her own. The magic of her Caffè cannot be analyzed, computerized, or explained.” —David Amram, Musician
Caffè Lena is a unique American institution. It is a coffeehouse/performance space, with a capacity of about 100, on the second floor of a building from the late 1800s on a side street in downtown Saratoga Springs, New York. It was opened in May 1960 by Lena Spencer and her then-husband Bill (shortly thereafter they divorced). For nearly thirty years Lena operated the Caffè, not for profit, but out of love and devotion to community and to the performers. Lena died in 1989, but Caffè Lena continues on. Recently renovated, it is the oldest continuously operated folk music coffeehouse in the country.CAFFÈ LENA the book is a marvelous tribute to this legendary venue. It is coffee-table-sized, and contains over 200 evocative black-and-white photographs. It also is compulsively readable, especially if you are an admirer of folk music. The book is organized primarily around the dozens of performers (mostly "folk music" artists, but Lena Spencer was very eclectic in who she booked) who appeared there over the years. In most cases, each performer provides a short piece on what Lena and the Caffè meant to them and to the folk music community. Many of these pieces contain interesting anecdotes. And for each there are one or more photographs; some are performance pictures but others show off-stage life in Saratoga Springs, including life in Lena's apartment, where she often put up her performers.The performer profiles are grouped by decades. The 1960s include (among many others) Dave Von Ronk, Bob Dylan, Ramblin' Jack Elliot, Pete Seeger, Bernice Johnson Reagon, Mississippi John Hurt, Noel Paul Stookey, Carolyn Hester, and Jim Kweskin. Some from The 1970s are Arlo Guthrie, Rosalie Sorrels, Utah Phillips, David Amran, Kate McGarrigle, David Bromberg, Don McLean, and Christine Lavin. The 1980s include Rufus Wainwright, Townes Van Zandt, Bucky Pizzarelli, and Greg Brown. The chapter on the 1990s to Today: Ani DiFranco, Catie Curtis, and Livingston Taylor.The driving force behind the book was Jocelyn Arem, who first went to Caffè Lena as a freshman at Skidmore College, located a short distance away. Arem tracked down performers and recorded oral-history interviews. She located the photographs of Joe Alper as well as lots of ephemera. (Some of the ephemera -- promotional posters, menus, guest checks -- decorate the endpapers of the book.)CAFFÈ LENA is one of the richest and most enjoyable books I have encountered in a while. It is a tribute to its namesake coffeehouse and to the special woman who gave her name to that coffeehouse. It is pure Americana. And it demonstrates, time and again, these words of Tim Robbins (whose father is one of the profiled performers): "Folk music wasn't necessarily a lucrative way to make a living. It was beyond show business in a lot of ways. Folk music relied on community."